![]() ![]() ![]() The summer I spent there, making projects, was the first time I ever felt like I had friends who I met only through their online presence. As a user, you can flag a comment not just as spam or inappropriate, but also as “not nice” to have it reviewed by a moderator. I also really like their comment policy, which is literally “be nice”. I admire that their community goes out of their way to invite all of those kinds of making in. But making in a kitchen is also making making with a sewing machine is also making. The founder was talking to me about this: people who make robots, they know they’re makers. One of the things that they’re very careful to have in their makerspace/lab area is a test kitchen. It’s an explicitly inclusive and friendly community. It’s a tutorial site where people share how to make different things. I spent a summer working at a website called Instructables. KELSEY: I want to open by asking if everybody could share one story of a sense of community you experienced through a purely digital platform. The end of the Casey Newton “ Bodies in Seats” article, from “Last week, I visited the Tampa site with a photographer.” to the end, interesting additional perspective re trying to figure out how this stuff should be doneĮxperiences of community solely through the internet.Flame Warriors, if you’d like a lighter take, is a tongue-in-cheek characterization of the various types of people moderators encounter.Naomi Wu’s experience with media manipulation & being “content moderated” off of several funding platforms she had used to make a living: part 1 and part 2 – this is very interesting and topical but too long to include in the required reading.Josh Constine for TechCrunch: “ How Facebook News Feed Works” (2016) before “An Updated List Of News Feed Algorithm Changes”.Will Oremus for Slate: “ Twitter’s New Order” (2017) – much more in depth (not just how but why and future directions) but pretty long.Cole Nemeth for Sprout Social: “ How the Twitter Algorithm Works in 2020” (2020) before “How to turn off the Twitter algorithm” – a really short one just highlighting the factors involved.Cade Metz for the New York Times: “ How Facebook’s Ad System Works” (2017) – targeting factors that Facebook uses for ads, the inception of ads into a content stream, some treatment of the Russia issue.Clint Pumphrey for HowStuffWorks: “ How Do Advertisers Show Me Custom Ads?” (2012) – cookies and retargeting, notice tone.Jack Dorsey Says” (2019) – contrasted with the Facebook hands-off approach and Google’s selective approach Kate Conger for the New York Times: “ Twitter Will Ban All Political Ads, C.E.O.Niam Yaraghi for Brookings: “ Twitter’s Ban on Political Advertisements Hurts Our Democracy” (2020) - discusses the unequal impact of the ban on more vs less-well funded political groups and pushes for more detailed transparency measures.Mark Scott for Politico EU: “ Why Banning Political Ads on Social Media Misses the Point” (2019) - argues that beginning to moderate content for advertising is the beginning of social media companies taking ownership/responsibility over user content generally.Choose one of the following (their lengths vary):.Jussi Passanen: “ Human centred design considered harmful” – how good design principles applied to business sense can be harmful for humans, especially in the context of a livable planet.NOT RECOMMENDED: the middle of the article for this group-it’s good reporting but needs a content warning for graphic descriptions (and the intro gets the points across).From the beginning to “But for the first time, three former moderators for Facebook in North America agreed to break their nondisclosure agreements and discuss working conditions at the site on the record.”.Casey Newton for The Verge: “ Bodies in Seats” (2019) - around outsourced content moderation & its impacts on the humans who have to view & judge the content.Bijan Stephen for The Verge: “ Something Awful’s Founder Thinks Youtube Sucks at Moderation” (2019) - strategies for moderation from Something Awful’s founder.How do platforms balance freedom of expression versus consent to avoid offensive content, navigate algorithmic versus human moderation and curation, or incentivize different types of interaction? What are downstream effects of these choices? Readings ![]() This topic covers factors that impact the content that we see. ![]()
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